The company’s name is borrowed from Hesse’s last novel, The Glass Bead Game. Set in Castalie, a non-religious monastic organisation, it tells the story of a community of intellectuals and artists who compile and study knowledge in order to advise rulers and populations on how to avoid repeating mistakes of the past.

Their specialty is the Glass Bead Game. Players combine art and science in order to find solutions to problems. As thought the key to understanding the world was to be found in the combination of a Bach melody, a mathematical equation, and the number of veins in a leaf.

 

Art is universal. We need it to escape and think about the world. You don’t need to understand the codes to be moved by them; you just need have access to them.

Classical music is no exception.

 

Based in the Rhuys peninsula in the Morbihan region of France, the company approaches each of its projects with the idea of the association between humans, nature, the arts and knowledge at its core.

A singer, a director and two instrumentalists in the middle of a rehearsal.

A recital based on the repertoire of an extraordinary woman.

Mademoiselle de Maupin was an opera singer in the 17th century, a formidable fencer, passionate and libertine.

An opportunity to experience music of this era, consider the life of an artist and the concept of individuality.

  • 4th to 10th November 2024 – Creation Residency in la Cité de la Voix
  • 27th to 31th January 2025 – Creation Residency in Rennes Opera house
  • 4th August 2025 – Premiere in the festival Le Temps Suspendu (36)
  • 3rd October 2025 – Hermine – Sarzeau (56)
  • 16th and 17th October 2025 –  Rennes Opera House (35)
  • 24th March 2026 –  Biennale of la Cité de la Voix, “Elles chantent, composent et dirigent” Edwige Feuillère Theater of Vesoul (70)
  • 27th march 2026 – Biennale of la Cité de la Voix, “Elles chantent, composent et dirigent”     Debussy Hall in Joigny (89)

This show is co-produced and supported by

©Tom Bouchet